The World Gives Way: A Novel Read online

  This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

  Copyright © 2021 by Marissa Levien

  Cover design by Lisa Marie Pompilio

  Cover illustrations by Arcangel and Shutterstock

  Cover copyright © 2021 by Hachette Book Group, Inc.

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  The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights.

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  Hachette Book Group

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  First Edition: June 2021

  Redhook is an imprint of Orbit, a division of Hachette Book Group.

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  Quote here excerpted from Italo Calvino, Invisible Cities, trans. William Weaver. Orlando: Harcourt, Inc., 1974.

  Quotes here, here, here and here excerpted from Gertrude Stein, The World Is Round. New York: Young Scott Books, 1939.

  Library of Congress Cataloging-in-Publication Data

  Names: Levien, Marissa, author.

  Title: The world gives way : a novel / Marissa Levien.

  Description: First edition. | New York, NY : Redhook, 2021.

  Identifiers: LCCN 2020046202 ISBN 9780316592413 (hardcover) | ISBN 9780316592420

  Subjects: GSAFD: Science fiction.

  Classification: LCC PS3612.E92354 W67 2021 | DDC 813/.6—dc23

  LC record available at https://lccn.loc.gov/2020046202

  ISBNs: 978-0-316-59241-3 (hardcover), 978-0-316-59239-0 (ebook)

  E3-20210427-JV-NF-ORI

  Contents

  Cover

  Title Page

  Copyright

  Dedication

  Epigraph

  1: Myrra

  2: The Ship

  3: Myrra

  4: Myrra

  5: New London

  6: Tobias

  7: Myrra

  8: Tobias

  9: Nabat

  10: Myrra

  11: Palmer

  12: Tobias

  13: Myrra

  14: Tobias

  15: Myrra

  16: Tobias

  17: Myrra

  18: Tobias

  19: Myrra

  20: Kittimer

  21: Myrra

  22: Tobias

  23: Myrra

  24: Tobias

  25: Myrra

  26: Tobias

  27: Myrra

  28: Tobias

  29: The Border Desert

  30: Myrra

  31: Tobias

  32: Myrra & Tobias

  33: Myrra & Tobias

  34: In Between

  35: Myrra & Tobias

  36: Myrra & Tobias

  Acknowledgments

  Discover More

  For my parents.

  For Michael.

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  At times I feel your voice is reaching me from far away, while I am prisoner of a gaudy and unlivable present, where all forms of human society have reached an extreme of their cycle and there is no imagining what new forms they may assume. And I hear, from your voice, the invisible reasons which make cities live, through which perhaps, once dead, they will come to life again.

  —Invisible Cities, by Italo Calvino

  Geoffrey:

  Why, you chivalric fool—as if the way one fell down mattered.

  Richard:

  When the fall is all there is, it matters.

  —The Lion in Winter, by James Goldman

  1

  MYRRA

  Myrra smashed a roach with her bare hand as it crawled along the wall, then recited a small eulogy for the deceased in her head. Perpetual survivors, the roaches had managed to sneak a ride on this world to the next, even when every other bit of cargo had been bleached and catalogued over a century ago. Myrra admired their pluck, but Imogene would hate the sight of an insect, and where there was one, there were always more. It was late, nearly three a.m. The roaches liked to explore at night, and Myrra’s room was close to the kitchen.

  Myrra retrieved an old rag from her stock of cleaning supplies and wiped off her palm. Then she sat back down on her cot, a lumpy pillow propped behind her back, and resumed writing her letter.

  It was strange to be writing with paper and pen, but since Imogene had found Myrra’s tablet last month, Myrra had needed to improvise with other methods of communication. What a row that had been. Myrra had been so careful hiding the tablet, taping it behind the mirror in her room. But there’d been a bad spate of earthquakes lately, and it had fallen out at an ill-timed moment when Imogene was inspecting the room. Marcus never bothered enough to care about that sort of thing, but Imogene was livid. She’d only grown tenser and madder and more controlling in the past year, and as she’d screamed at Myrra, she’d framed the tablet as the ultimate transgression. For her part, Myrra had tried her best not to show her contempt. She still winced thinking of the sound the tablet made when Imogene smashed it against the side of a table, the glass cracking, the screen going irreparably black. Just a thin, flat piece of silicon and metal, but it had been a door to the world for a while. And it had proved so useful when it came to Jake.

  Jake had given her the tablet six months ago. She remembered him pressing it into her palm in the alley behind his father’s store. He was so happy to be helping the cause of the contract workers. His hands lingered against hers, and his forefinger stroked her wrist. Light, like a stolen kiss. That was when she knew she had a shot. They’d gotten good use out of that tablet.

  Still, no point mourning something that was already gone. There was always another way through a problem. At least a pen was something easy to steal. Paper even easier. Marcus had boxes and boxes of the stuff, and he was terrible at keeping track of everything in his collections. He relied on Myrra for that.

  What was important was that Jake liked writing this way. Paper was unique. Antique. Romantic.

  Myrra inspected the red welt on her knuckle where the pen pressed against her finger. A pen was such an unfamiliar thing to hold. The first few letters she’d written to Jake had been disastrous to look at: violent slashes of ink darted across the paper, interrupting the shaky letters she tried to form. The pen spun out of her hand every time she thought she had a grip. Eventually she learned to hold it like chopsticks, and things improved from there. The lines of ink were still more jittery than she wanted; nothing compared to the smooth looping cursive she’d seen on some of Marcus’s antique letters and papers.

  Myrra wrote with slow care, frequently checking her spelling in one of Marcus’s dictionaries. It was maddening, how long it took. And there was no backspace. Just an ugly scratch to black out the word if you got it wrong. Jake would want her simple, but just simple enough. Misspelled
words and bad handwriting would send the wrong message.

  Dear Jake. Start slow and familiar, not too mushy. Apologize for not writing sooner. Myrra decided to throw in as many sorrys as she could, to make him feel a little loftier. Tell him you miss him. Ask to see him. Don’t say why. Don’t say I love you, yet.

  You have to tease these things out. Add spice to the sauce a little at a time, let it simmer. Patience. Do this right, and where might you be in a year? The first thing Myrra pictured was diamond earrings, long and dangling like exquisite icicles. Imogene had a pair like that. She’d worn them with her blue silk gown at the last state dinner. Myrra pictured a vast bed as wide as it was long with soft mussed sheets. She pictured gold around her finger.

  That was Imogene’s world she was seeing. Jake was a grocer’s son. Myrra would get a gold ring, but not the diamonds. At least not right away.

  In fifty years, Myrra would be free. The work contract her great-grandmother had signed would finally be fulfilled, and she was meant to be satisfied with that. Hard to imagine how it would feel, really, to be free. In fact, most other contract workers in her generation considered themselves lucky; her mother and her mother’s mother had not lived with that luxury. It was a frequent topic of conversation among her compatriots; everyone had different plans for what they’d do with their futures once their contracts ended. Most were unimaginative. Women she’d worked with in the laundry had talked about opening their own wash-and-fold service shops. Hahn, a boy she ran into now and then at the grocery store, was endlessly talking about the bar he’d open someday. He had it planned down to the prices of the drinks and the music on the stereo. Some who were employed as maids or handymen were planning on keeping the same positions with their host families; all they were looking forward to was a future where they got paid and had proper drinking money.

  But Myrra refused to buy into this kind of talk—in fact, she took pride in her dissatisfaction. A butcher she’d once worked for had told her that the good meat farms knew how to keep their animals fat and happy, trusting enough that they’d cheerfully trot toward the slaughterhouse. The law said that in fifty years she’d be free; well, in fifty years she would be dry and creaky with baggy skin and sagging breasts, looking like the old retired whores off Dell Street who still powdered rouge over their spotted faces. She’d have five good years, ten at most, before her body gave out. Five years after a long trudging lifetime of labor. What kind of life was that? She refused to wait and only get what she was given. Not when she was young and Jake was there for the taking.

  She continued the letter for a few paragraphs more, keeping the anecdotes light and quick, asking plenty of questions in between. Jake liked it when she was inquisitive. She mentioned a particularly successful dinner party that Imogene had thrown for her political wives’ club. Imogene had been drunker than usual, and the result was that she forgot to critique Myrra on the details of the meal. It was a nice change—lately the household had felt tense, and Myrra wasn’t quite sure why. Both Imogene and Marcus would frequently sink into spells of silence; they’d snap at Myrra unpredictably for any old thing.

  But Myrra didn’t want to think about that. She certainly didn’t feel like writing it down in a letter. Instead she described the food. Jake liked that she knew how to cook. She mentioned that Charlotte had been sleeping better—it was a relief, after the latest bout of colic. Myrra wasn’t sure how much Jake cared about Charlotte, but she couldn’t help writing about her. Charlotte was the only good part of her days.

  It was a miracle that Charlotte was here at all for Myrra to fawn over. Marcus hated babies—he hated anything messy. There had been months of guilting from Imogene before he finally agreed. It was elegantly done, Myrra had to admit. If Marcus hadn’t gone into the business himself, Imogene could have made a great politician.

  “I’m getting older now.” Myrra remembered holding a china tray and watching as Imogene passively yet artfully batted her words over the coffee cups, over the breakfast table, arcing them right over the top of Marcus’s wall-like news tablet barrier so they’d fall right in his lap. “If we don’t try soon, we might never be able to have one.” He would volley back a grunt, or mumble something about stress at work. Finally, after many mornings of similar repetitive banter, Imogene found her kill shot, something to fire straight through the tablet, hammer through his mustache, and knock out his teeth: “Don’t you want to make something that will outlive us? What about your legacy?”

  Talk of his manly legacy, his ego, and he was cowed. Imogene won the match.

  But once born, Charlotte was treated as an investment by Marcus, and Imogene mostly ignored her in favor of getting her figure back. Myrra knew Charlotte better than anyone, what songs she liked, which cries went with which problem, what you could do to make her giggle.

  Maybe this could also be the type of thing Jake liked. Jake seemed like the kind of guy who wanted kids someday.

  Myrra ended the letter with a genuine note of thanks for the book that Jake had given her. Another object secretly given in the alley behind the shop, but at this point they’d moved past the quaint brushing of hands. Myrra had shown her appreciation in the most intimate of ways. She knew just how to touch him now.

  Myrra mostly stole books from Marcus’s library, but this one was hers to keep. Just as long as Imogene didn’t find it. On reflex, Myrra reached down and let her fingers slip through the slit she’d cut into her mattress. She felt around through the foam batting until she found the rough spine of the book. She pulled it out and cradled it in her palms. It was an old one, with tanned pages and a faded orange cover. But then again, they were all old. Books, like paper, were rare. Marcus had one of the largest collections in New London, but most people only had tablets. It was truly a beautiful, meaningful gift. Jake’s family was well-off, but this was something else. This was an I-love-you gift. An investment gift. The World Is Round, by Gertrude Stein. Myrra had taken to reading five or ten pages each night. It was fun—bouncier than the books she’d swiped from Marcus. Some of those had been terrible slogs, pushing through only a word or a sentence at a time. Tolstoy, Balzac, Joyce. The writing was dense and impossible, and mostly it made her feel stupid. But she kept at it, powered by spite and stubborn force of will. People who got paid read books, so she would read books too.

  She opened the book and found the page where she’d left off. “The teachers taught her / That the world was round / That the sun was round / That the moon was round / That the stars were round / And that they were all going around and around / And not a sound.”

  One section in, the words began to rearrange and swim. Myrra’s eyes were heavy.

  Myrra squinted to see the wooden clock under the amber lamplight. Imogene, with her shrewd touch, had snagged the clock along with forty other pieces in a wholesale antiques buy, but it broke in half after a bad fall from a tall shelf. Imogene let her keep the pieces, and with a little glue, pliers, and wire, Myrra had managed to get it ticking again. Myrra liked analog clocks—reading their faces felt like deciphering code. Little hand pointing to the right, and long one pointing straight down: three thirty now. Too late (too early?) to be fighting sleep.

  Fluffing out the pillow lumps, she closed her eyes and curled up on her side. She was just starting to feel warm under the blankets when she heard the comm box ring out. Myrra sat up with a shock, looking at the speaker on the wall near the door. Imogene was calling. Probably the baby was fussing. Poor little Charlotte, stuck with such a cold mother. Maybe her colic hadn’t gone away after all. Myrra groaned as she slid her arms into a nubbly blue robe and her feet found slippers. She walked over and pressed the red button on the comm box.

  “Should I heat up a bottle?” Myrra asked.

  “No—no, Charlotte’s fine. I just need your help with… something. Could you just—could you come to the terrace, please?” Imogene’s voice sounded high and frail—as if she had spontaneously reverted to being five years old. Had she been sleepwalking again? She
’d gone through a good bout of ghostly hallway strolls when she was pregnant, but all that went away when Charlotte was born.

  “Ma’am, can I ask if you took your sleeping pill this evening?” Myrra tried to keep her tone measured—not good to shock a person who was still asleep.

  “Jesus Christ, I’m lucid, I’m awake. Can you just get up here, please?” That sounded more like Imogene.

  “Yes, ma’am.”

  Myrra considered rifling through the mound of laundry in the corner to find the cleanest dress in the bunch, but the snap of Imogene’s voice still reverberated through the room. Go for speed over presentability at this point, and stick to the robe and slippers. Myrra tucked the nubbled folds higher and closer around her neck. Fifty floors up at this time of the morning, the terrace was bound to be damp.

  Myrra slipped out of her room, pushing open the door and easing it closed behind her. The door was an intricate and beautiful object, carved and inlaid walnut with a sculpted brass handle. The rest of her room was simple and bare, but the door had to present itself on the exterior side as well as the interior. Myrra’s room was on the bottom floor, in a dark corner behind the main staircase. It wasn’t likely a guest would find their way back there, but just in case, she still got a good door.

  Imogene and Marcus Carlyle’s penthouse was a three-story feat of opulence, with sweeping staircases, vaulted ceilings, marble floors, and antique lead-glass skylights. This amount of living space in a city as packed as New London was exceedingly rare, and by showing the penthouse off as often as possible, the Carlyles were able to provide an easy, nonverbal reminder that they had secured a permanent place at the top of the food chain.

  Rushing away from her room, Myrra paused for a moment at the bottom of the stairs, and her face fell briefly in anticipation of the climb. The master bedroom was on the top floor. Most people would have put in an elevator, but Marcus loved antiques, and he demanded authenticity.